American Idiot takes Gen Y’s angst to the stage

When Green Day released American Idiot in 2004, it became Gen Y’s version of The Who’s Tommy: a rock opera about life in the present day, in the world of the disillusioned and mundane, for those who don’t want to be part of that majority.

It’s a story that repeats itself in a new way, generation after generation. Green Day’s topic of choice was nothing new; it just involved a (possibly imaginary) drug pusher named St. Jimmy, only one character in a full-out sonic revolt against President Bush and the war in Iraq, instead of a Pinball Wizard.

So it came as no surprise, then, when history repeated itself in turning American Idiot into a Broadway musical with a familiar premise: three friends plan to embark on a journey to find a way out of Jingletown, USA, and then fall by the wayside, one by one, via pregnancy, war and drugs, only to find out, more or less, that life isn’t always wonderful and the grass ain’t always greener, etc. Think Movin’ Out with less Twyla Tharp and more head banging.

But all this just makes it that much more spectacular that American Idiot storms onto stage, captures your attention for 90 straight minutes, and leaves you absolutely speechless by curtain call. The story is real, the few lines of dialog are powerful. The music and the cast and the whole thing implore you — no, they force you — to get caught up in it all.

And you do, because no matter who you are or what you’ve been through, no matter what your life is like, you can find yourself in one of these characters. You do, because the story Billie Joe Armstrong crafted in those songs becomes clearer than ever before when you see it in front of you and hear it sung in so many different, beautiful voices. You do, because like them or not, Green Day has found a way to consistently put our generation into words in a way few (if any) other bands have.

You will laugh, and you will cry (no, seriously – you will cry), but the greatest part of American Idiot is how it makes you think. Unlike most musicals, which present a very structured story, American Idiot allows you to draw many of your own conclusions. I’ve seen it twice now, and each time, I came away with something different.

By the time the cast joins together for an encore of sorts, a chill-inducing, 19-person (yeah, my friends and I counted) acoustic rendition of Green Day’s biggest hit “Good Riddance (Time of Your Life),” you know that you’re never going to hear this album — or much of the band’s music, for that matter — the same way ever again.

In adapting the album for the stage, Green Day added four songs from their 2009 release 21st Century Breakdown, threw in a B-side and a song off a compilation album, and wrote one song specifically for the musical, which they recorded as a bonus track for the soundtrack. They fit in seamlessly, especially the Breakdown tracks; when you listen to the album, you can hear the similarities in those songs, so plugging them into Idiot and inserting them around other songs (the “Last of the American Girls”/”She’s a Rebel” mash-up is a favorite) just seems right.

American Idiot, as a musical, holds its own with the best of them. It’s gotten positively raving reviews, and it rightfully deserves the Tony Awards for which it was nominated. The singer-actors are absolutely phenomenal (especially Tony Vincent as St. Jimmy, whose voice just blew everyone out of the water), and it is truly a stage production of epic proportions.

It deserves a chance to survive on Broadway, so throw away the preconceived notions you have of what a musical should be like and what you think this show will be like.

If you see the show expecting a concert, you’ll be disappointed; but you’ll be disappointed, too, if you go expecting a “traditional” Broadway musical. So forget American Idiot the album. Forget Green Day. Forget that it’s punk-turned-Broadway. Forget that you dislike musicals, or you dislike punk music, or you dislike whatever else you think you’d dislike about this show. Imagine American Idiot as a new rock opera composed by this unknown musical composer, Billie Joe Armstrong. Imagine it as songs composed specifically for this purpose. Imagine it as the next Jesus Christ Superstar or Spring Awakening.

Go. See. This. Musical. You will not be disappointed.

Photo by fakelvis

Angela Stefano It's "Ang," if you please -- or, alternately, Bill, Penny Lane or (begrudgingly) Angus to some. I've been with TNGG since the site started and am now the TNGG Boston editor for I graduated from Boston University's College of Communication in 2009 and am a huge fan of live music, hockey and Thai food. I'm also a bit of a klutz, but that's only because my mind and body are always going in approximately a zillion separate directions. Twitter: @amstefano988

View all posts by Angela Stefano

2 Responses to “American Idiot takes Gen Y’s angst to the stage”

  1. Julia Drewniak

    I’ve always been a fan of musicals, having grown up w/ old school classics such as Show Boat, Singing in the Rain etc. It’s interesting to see how our generation is taking the genre and adapting it to our needs. And how they are adapting it in a way that encourages our peers to go out to the theater, especially in our age of technology. Wish it were playing in DC!


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